Art Institute of Chicago, Картина
Мадам Рулен качает колыбель ("Берсез")
Vincent van Gogh, 1889
Данные: Art Institute of Chicago (открытые данные музея)
Музейные сведения
Источник: Art Institute of Chicago
- Автор
- Винсент ван Гог (голландец, 1853-1890)
- Дата создания
- 1889
- Место создания
- Нидерланды
- Материалы и техника
- Холст, масло
- Размеры
- 92.7 × 73.8 cm (36 1/2 × 29 1/2 in.); Framed: 111.9 × 91.8 × 8.3 cm (44 1/16 × 36 1/8 × 3 1/2 in.)
- Стиль
- Постимпрессионизм
- Тип произведения
- Картина
- Классификация
- холст, масло
- Отдел
- Живопись и скульптура Европы
- Место в музее
- Галерея 241
- Инвентарный номер
- 1926.200
- Надписи
- Надпись: Винсент, Арль, 89 (на подлокотнике кресла); Ла Берсез (справа от кресла)
- Credit line
- Мемориальная коллекция Хелен Берч Бартлетт
- Статус прав
- Общественное достояние. Изображение действительно по лицензии CC0.
- Страница в музее
- Art Institute of Chicago (откроется в новой вкладке)
О произведении
Перевод подробных сведений загружается…Краткое описание музея
Ван Гог видел в Огюстине Рулен, ее муже Джозефе и их детях образец любви и семейной жизни. Он завершил эту работу в 1889 году, вскоре после возвращения из больницы, где он находился после тяжелой болезни Поля Гогена. Мадам Рулен сидит в кресле Гогена, что является попыткой Ван Гога заполнить пространство, оставленное старым художником. В мае 1889 года Ван Гог подарил это полотно Гогену в знак примирения и дружбы.
Музейное описание
Vincent van Gogh saw in Augustine Roulin—along with her husband, Joseph, and their children—a model of love and family life. In this portrait, Roulin rocks a cradle by pulling on a rope. The title La Berceuse (the lullaby) suggests a consoling figure, and the artist described his palette as a soothing “lullaby in colors.”
Van Gogh painted five versions of this image. He completed this one in January 1889, soon after returning from his stay in the hospital following Paul Gauguin’s fraught departure. Madame Roulin sits in Gauguin’s chair, an attempt by Van Gogh to fill the space left by the older artist. In May 1889, Van Gogh gave this canvas to Gauguin as a gesture of reconciliation and friendship, instructing that it be hung between two paintings of sunflowers.
Текст описания © Art Institute of Chicago, лицензия CC BY 4.0.
Провенанс (история владения)
The artist; sent to his brother, Theo van Gogh (died 1891) [Letter 767 Vincent van Gogh to Theo van Gogh, May 2, 1889]. Paul Gauguin, Paris [this and the following according to La Faille 1928, no. 506]; Auguste Pellerin Collection (died 1929), Paris; Galerie de l’Art E. Blot, Paris [Paris 1909]; Amédée Schuffenecker (1854-1936), Saint-Maur, Paris; Galerie de l’Art Marcel Bernheim, Paris; Frederic Clay Bartlett (died 1953), Chicago by at least 1923 [Bulletin of The Art Institute of Chicago 1923, cover ill.]; given to the Art Institute of Chicago, 1926.
Источник: Art Institute of Chicago
История выставок
Mannheim Kunsthalle, Internationale Kunstausstellung, March 1 - October 20, 1907, cat. 1080.
Paris, Galerie E. Druet, Cinquante Tableaux de Vincent van Gogh, November 8 - 20, 1909, cat. 10
Paris, Galerie Marcel Bernheim, Exposition rétrospective d'oeuvres de Vincent Van Gogh (1853-1890), January 5 - 24, 1925, cat. 28.
Minneapolis Institute of Art, Apr.-Sep. 1925
Boston Arts Club, Jan. 1926..
Art Institute of Chicago, A Century of Progress, June 1–Nov. 1, 1933, cat. 377.
Art Institute of Chicago, A Century of Progress, June 1–Nov. 1, 1934, cat. 311.
Boston, Museum of Fine Arts, Feb. 1936.
D. Rosen, July 1947
New York, Wildenstein and Co., Van Gogh: Loan Exhibition for the Benefit of the Public Education Association, Mar. 24 - Apr. 30, 1955.
Nagaoka, Niigata Prefectural Museum of Modern Art, Masterworks of Modern Art from The Art Institute of Chicago, Apr. 20–May 29, 1994; Nagoya, Aichi Prefectural Museum of Art, June 10–July 24, 1994; Yokohama Museum of Art, Aug. 6–Sep. 25, 1994.
Detroit Institute of Arts, Van Gogh: Face to Face, Mar. 12-June 4, 2000; Museum of Fine Arts, Boston, July 2–Sep. 24, 2000; Philadelphia Museum of Art, Oct. 22, 2000–Jan. 14, 2001.
Art Institute of Chicago, Van Gogh and Gauguin: The Studio of the South, The Art Institute of Chicago, Sep. 22, 2001-Jan. 13, 2002; Amsterdam, Van Gogh Museum, Feb. 9-June 2, 2002.
Art Institute of Chicago, Van Gogh's Bedrooms, Feb. 14 - May 10, 2016, no cat. no., plate 25.
Sapporo, Hokkaidõ Museum of Modern Art, Van Gogh & Japan, Aug. 26- Oct. 14, 2017, cat. 122; Tokyo Metropolitan Art Museum, Oct. 24, 2017-Jan. 8, 2018; Kyoto, National Museum of Modern Art, Jan. 20-Mar. 4, 2018; Amsterdam, Van Gogh Museum, Mar. 23-June 24, 2018.
Washington DC, The Phillips Collection, Van Gogh: Repetitions, Oct. 12, 2013 – Jan. 26, 2014, cat. 24; Cleveland Museum of Art, Mar. 2 – May 26, 2014.
's-Hertogenbosch, Netherlands, Het Noordbrabants Museum, Van Gogh's Inner Circle: Friends, Family, Models, Sep. 21, 2019 - Jan. 12, 2020, cat. 75.
Boston, Museum of Fine Arts, Van Gogh and the Roulin Family, Mar. 30–Aug. 3, 2025, no cat. no., fig. 50; Amsterdam, Van Gogh Museum, Sep. 3, 2025–Jan 11, 2026.
Источник: Art Institute of Chicago
Публикации
Bulletin of The Art Institute of Chicago 17, no. 7 (1923), cover ill.
Modern Paintings in the Helen Birch Bartlett Memorial from the Birch-Bartlett Collection (Chicago: Art Institute, 1926), 12, pl. 13.
J[acob]-B[aart] de la Faille, L’Oeuvre de Vincent van Gogh: Catalogue Raisonné, vol. 1 (Paris and Berlin: G. van Oest, 1928), no. 506.
Jacob-Baart de la Faille, The Works of Vincent van Gogh, His Paintings and Drawings (New York: Reynal, 1970), 224 (ill.), 225, no. F506.
Richard R. Brettell, “The Bartletts and the ‘Grande Jatte:’ Collecting Modern Painting in the 1920s,” Art Institute of Chicago Museum Studies 12, no. 2 (1986): 106, 107 fig. 3.
Louis van Tilborgh, et al., "Weave matching and dating of Van Gogh's paintings: an interdisciplinary approach," Burlington Magazine (February 2012): 112 (color ill.), 119.
Van Tilborgh, Louis, et. all. Van Gogh & Japan, exh. cat. (Amsterdam: Van Gogh Museum; Sapporo: Hokkaidō Shimbun Press; Brussels: Mercatorfonds, 2018), 40, 79, 85, 192, cat. 122 (ill.).
Rathbone, Eliza et al., Van Gogh: Repetitions, exh. cat. (New Haven: Yale University Press, 2013), 74-75, 118-19.
Walter Feilchendeldt, Vincent van Gogh: The years in France, Complete paintings 1886-1890. Dealers, collectors, exhibitions, provenance (London: Philip Wilson, 2013), 117 (ill.).
Richard Kendall, Sjraar van Heugten, and Chris Stolwijk, Van Gogh and Nature, exh. cat. (Williamstown, MA: Clark Art Institute, 2015), 157 fig. 128.
Gloria Groom, ed., Van Gogh's Bedrooms, exh. cat. (New Haven and London: Art Institute of Chicago, Yale University Press, 2016), 8, plate 25.
Sjraar van Heugten and Helewise Berger, Van Gogh's Inner Circle: Friends, Family, Models, exh. cat. (Woodbridge, Suffolk, UK: ACC Art Books, 2019), 98 cat. 75, 99 (color ill.), 101, 212.
Nienke Bakker and Katie Hanson, Van Gogh: The Roulin Family Portraits, exh. cat. (Boston: Museum of Fine Arts; Amsterdam: Van Gogh Museum, 2025), 52, 86–90, 88 fig. 50, 154, 160, 218.
Источник: Art Institute of Chicago
Сведения о произведениях предоставляются музеями и могут обновляться. Энциклопедический контекст предоставляется Wikipedia и не заменяет музейную классификацию.
