Cleveland Museum of Art, Картина
Водяные лилии (агапантус)
Claude Monet, c. 1915–26
Данные: Cleveland Museum of Art (открытые данные музея)
Музейные сведения
Источник: Cleveland Museum of Art
- Автор
- Клод Моне (французский, 1840-1926)
- Дата создания
- c. 1915–26
- Страна / культура
- Франция, конец 19-го века - начало 20-го века
- Материалы и техника
- холст, масло
- Размеры
- Framed: 204.9 x 430.3 x 6 cm (80 11/16 x 169 7/16 x 2 3/8 in.); Unframed: 201.3 x 425.6 cm (79 1/4 x 167 9/16 in.)
- Тип произведения
- Картина
- Отдел
- Современная европейская живопись и скульптура
- Коллекция
- Современная евроокна 1800-1960
- Место в музее
- 222 Импрессионизм и постимпрессионизм
- Инвентарный номер
- 1960.81
- Надписи
- Печать поместья внизу слева: Клод Моне
- Credit line
- Фонд выходного пособия Джона Л. и анонимный подарок
- Статус прав
- Открытый доступ: музей представляет собой изображение и данные из библиотеки CC0.
- Страница в музее
- Cleveland Museum of Art (откроется в новой вкладке)
О произведении
Перевод подробных сведений загружается…Музейное описание
A skilled horticulturalist as well as an artist, Claude Monet spent the last 30 years of his life painting the private garden he designed and helped cultivate at his home in Giverny in northern France. The resultant canvases are notable for their varied motifs, formats, and sizes. Monumental in scale, this rendering of his water lily pond focuses on the momentary effects of sunlight as it both penetrates and reflects off its shimmering surface. By zeroing in on the water and omitting its horizon and surrounding banks, Monet infers a limitless expanse—a perception amplified by the painting’s vast horizontal format that fills the viewer’s field of vision.
Текст описания © Cleveland Museum of Art (открытые данные, CC0).
Провенанс (история владения)
Estate of the artist. Michel Monet, Giverny, through 1950 (according to Connaissance des arts 1966). Katia Granoff, Paris. Bought from her by Knoedler & Co. (stock number a 6420), July 1956. The Cleveland Museum of Art, Cleveland, OH
Источник: Cleveland Museum of Art
История выставок
Paths of Abstract Art. The Cleveland Museum of Art, Cleveland, OH (October 5-November 13, 1960). Year in Review - Nineteen Hundred Sixty. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 30, 1960-January 1, 1961). Juxtapositions. The Cleveland Museum of Art, Cleveland, OH (September 11-October 10, 1965). Fifty Years of Modern Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 15-July 31, 1966). Color and Field, 1890 - 1970. Buffalo AKG Art Museum, Buffalo, NY (organizer) (September 15-November 1, 1970); Dayton Art Institute, Dayton, OH (November 20, 1970-January 10, 1971); The Cleveland Museum of Art, Cleveland, OH (February 3-March 14, 1971). Monet's Years at Giverny: Beyond Impressionism. The Metropolitan Museum of Art, New York, NY (organizer) (co-organizer) (April 22-July 9, 1978); Saint Louis Art Museum, St. Louis, MO (co-organizer) (August 1-October 8, 1978). The Monet Triptych: Water Lilies. The Nelson-Atkins Museum of Art, Kansas City, MO (organizer) (co-organizer) (April 5-June 15, 1979); The Cleveland Museum of Art, Cleveland, OH (September 18, 1979-February 17, 1980); Saint Louis Art Museum, St. Louis, MO (co-organizer) (April 1-September 1, 1980). Creativity in Art and Science, 1860-1960. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 16-November 8, 1987). CMA Highlights. The Cleveland Museum of Art (organizer) (June 21-September 11, 2005). Monet to Dalí: Modern Masters from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 21, 2007-January 13, 2008). Monet in Normandy. The Cleveland Museum of Art, Cleveland, OH (February 18-May 28, 2007). Monet's Water Lilies. The Nelson-Atkins Museum of Art, Kansas City, MO (organizer) (April 9-August 7, 2011); Saint Louis Art Museum, St. Louis, MO (October 2, 2011-January 22, 2012). Painting the Modern Garden: Monet to Matisse. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 6, 2015-January 5, 2016); Royal Academy of Arts, London, United Kingdom of Great Britain and Northern Ireland (January 30-April 20, 2016). Monet / Mitchell. Fondation Louis Vuitton, Paris, France (organizer) (October 5, 2022-February 27, 2023). Monet in Focus. The Cleveland Museum of Art, Cleveland, OH (March 31-August 11, 2024).
Источник: Cleveland Museum of Art
Публикации
City Art Museum of St. Louis. Claude Monet, a Loan Exhibition. 1957.. Reproduced: cat. no. 93 Sloane, J. C. "The Art of Impressionism: From Romanticism to Avant-Garde." In Romantic Art. Hilton Kramer, ed. New York: Art Digest, Inc, 1958.. Reproduced: p. 129 Spaeth, Eloise. American Art Museums and Galleries: An Introduction to Looking. New York, NY: Harper & Brothers, 1960.. Reproduced: p. 20 The Bulletin of the Cleveland Museum of Art XLVII. Cleveland: [The Museum] 1960.. Mentioned: p. 253; No. 66 Francis, Henry. "Claude Monet-- Water Lilies." The Bulletin of the Cleveland Museum of Art 47 (October 1960): 192-198.. Reproduced: 192-193 Henning, E. B. "Cleveland Museum of Art: From Turner to Gaston." Apollo: A Journal of the Arts 78 (December 1963): 481-488.. Reproduced: p. 484-485 Forge, Andrew. French Impressionists. London United Kingdom: British Broadcasting Corporation, 1966.. Reproduced: fig. 38 The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.. Reproduced: p. 197 "Waterlilies." Art in America: An Illustrated Magazine 54 (March 1966): 32.. Reproduced: p. 32 Alsop, Joseph. "Les Chefs-d'oeuvre de Premiere Importance du Second Musee des Etats-Unis." Connaissance des Arts 172 (June 1966): 54-63.. Reproduced: p. 57, 60 Lee, Sherman E. "The Forest and the Trees and Chinese Painting." National Palace Museum Quarterly 故宮週刊 1, no. 2 (October 1966): 1–14.. Reproduced: Pl. 1-A The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.. Reproduced: p. 197 Henning, Edward B. "Color and Field." Art International 15 (May 1971): 46-50.. Reproduced: p. 46 Rouart, Denis, Jean Dominique Rey, Robert Maillard. Monet, nymphéas; ou, Les miroirs du temps. Paris, France: F. Hazan, 1972.. Reproduced: p. 177 Wildenstein, Daniel. Claude Monet: Biographie et Catalogue Raisonné. Lausanne: La Bibliothèque des arts, 1974.. Reproduced and mentioned: vol. 4, p. 316-322, no. 1975 House, John. Monet. London, United Kingdom: Oxford, 1977.. Reproduced: pl. 47, Mentioned: p. 12-13 Bell, Clive. The French Impressionists. London, United Kingdom: Phaidon Press, 1978.. Reproduced: Fig. 46 Isaacson, Joel. Claude Monet, Observation and Reflection. Oxford, United Kingdom: Phaidon, 1978.. Reproduced: p. 176 Moffett, Charles S. Monet's Water Lilies. Mount Vernon, NY: Artist's Ltd. Edition, 1978.. Reproduced: Pl 6 The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.. Reproduced: p. 220 Monet, Claude. Monet's Years at Giverny: Beyond Impressionism. New York: Metropolitan Museum of Art, 1978.. Referenced: cat. no. 76, Reproduced Gordon, Robert, and Charles F. Stuckey. "Blossoms and Blunders: Monet and the State." Art in America: An Illustrated Magazine 67 (January 1979): 102-117.. Reproduced: p. 112, fig. 12 Stuckey, Charles F. "Blossoms and Blunders: Monet and the State; II." Art in America 67 (May 1979): 109-125.. Reproduced: p. 125 Kelder, Diane. The Great Book of French Impressionism. New York, NY: Abbeville Press, 1980.. Reproduced: p. 221-222 The Bulletin of the Cleveland Museum of Art LXVII. Cleveland: [The Museum] 1980.. Reproduced: p. 187; Mentioned: p. 189 Failing, Patricia. "The Case of the Dismembered Masterpieces." ARTnews 79 (September 1980): 66-78.. Reproduced: p. 76-77 House, John. Monet. Oxford, United Kingdom: Phaidon, 1981.. Reproduced: No. 47 Cowart, Jack. "Impressionist and Post-impressionist Paintings." Bulletin (St. Louis Art Museum) 16, no. 2 (1982): 1-35.. Reproduced: p. 23 Borowitz, Helen O. "The Rembrandt and Monet of Marcel Proust." The Bulletin of the Cleveland Museum of Art LXX, no. 2 (February, 1983):73-95.. Reproduced: p. 88, fig. 14 Peters, Mike, and Marilyn Jarvis. The World of Cartooning: How Caricatures Develop. Dayton, OH: Landfall Press, 1985.. Reproduced: p. 16 Larson, Dean M. Studying with the Masters: Lessons from Rubens, Velázquez, Turner, Degas, Monet, Sargent, Matisse. New York, NY: Watson-Guptill Publications, 1986.. Reproduced: p. 86 Henning, Edward B. Creativity in Art and Science, 1860-1960. [Cleveland, Ohio]: Published by the Cleveland Museum of Art in cooperation with Indiana University Press, 1987.. Mentioned and reproduced: P. 97, no. 4 Stuckey, Charles F. Waterlilies. New York, NY: H.L. Levin Associates, 1988.. Reproduced: p. 83 Thomson, Belinda, and Michael Howard. Impressionism. London, United Kingdom: Bison Books, 1988.. Reproduced: p. 124-125 Sagner-Düchting, Karin. Claude Monet, 1840-1926: ein Fest für die Augen. Köln,Germany: Benedikt Taschen Verlag, 1990.. Reproduced: p. 207 Strickland, Carol, and John Boswell. The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern. Kansas City: Andrews and McMeel, 1992.. Reproduced: p. 103 Cleveland Museum of Art. Masterpieces from East and West. New York, NY: Rizzoli International, 1992.. Reproduced: p. 166-167 Chong, Alan. European & American Painting in the Cleveland Museum of Art: A Summary Catalogue. Cleveland, Ohio: Cleveland Museum of Art, 1993.. Reproduced: p. 159 "1993 Annual Report." The Bulletin of the Cleveland Museum of Art 81, no. 6 (1994): 143-218.. Mentioned: p. 177 Pelfrey, Robert H. Art and Mass Media. Dubuque, IA: Kendall/Hunt, 1996.. Reproduced: p. 169, fig. 7,8 Wildenstein, Daniel. Monet. Köln, Germany: Taschen, 1996.. Reproduced: vol. 1, p. 436 Sagner-Duchting, Karin. Claude Monet, 1840-1926: A Feast for the Eyes. Köln, Germany: Benedikt Taschen, 1998.. Reporduced: p. 119 Museo del Palacio de Bellas Artes (Mexico). Maestros del impresionismo. México, D.F.: Istituto Nacional de Bellas Artes, 1998.. Reproduced: p. 59, fig. 14 D' Argencourt, Louise and Roger Diederen. The Cleveland Museum of Art: Catalogue of Paintings, Part Four; European Paintings of the 19th Century. Cleveland, OH:The Cleveland Museum of Art, 1999.. Reproduced: p. 159 Wildenstein, Daniel. Monet, or, The Triumph of Impressionism. Köln, Germany: Taschen,1999.. Reproduced: p. 436-437. May, Sally Ruth, Jane Takac, and Barbara J. Bradley. Knockouts: A Pocket Guide. Cleveland, OH: Cleveland Museum of Art, 2001.. Reproduced: p. 56-57, no. 58 Lemonedes, Heather, Lynn Federle Orr, and David H. Steel. Monet in Normandy. New York, NY: Rizzoli, 2006.. Reproduced: p. 178 Lemonedes, Heather, "FILL THIS", Cleveland Museum of Art. Cleveland Art: The Cleveland Museum of Art Members Magazine. Vol. 47 no. 02, February 2007. Mentioned & reproduced: p. 5 Rey, Jean Dominique, and Denis Rouart. Monet, Water Lilies: The Complete Series. Paris, France: Flammarion, 2008.. Reproduced: p. 145 Franklin, David and C. Griffith Mann. Treasures from the Cleveland Museum of Art. Cleveland, OH: London, United Kingdom: Scala Books, 2012.. Reproduced: p. 302-303 Cleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014.. Mentioned and reproduced: P. 298 Dumas, Ann, William H. Robinson, Clare A. P. Willsdon, Monty Don, James Priest, and Heather Lemonedes. Painting the Modern Garden: Monet to Matisse. London, United Kingdom : Royal Academy of Arts, 2015.. Reproduced: P. 290 Dumas, Ann, William H. Robinson, Clare A. P. Willsdon, Monty Don, James Priest, Heather Lemonedes, and Lucy I. Zimmerman. Painting the Modern Garden: Monet to Matisse. London: Royal Academy of Arts, 2015.. 290, cat no. 139 Robinson, William. “Easels in Eden: Renowned garden historian Eric Haskell is the keynote speaker at the opening for Painting the Modern Garden: Monet to Matisse.” Cleveland Art: Cleveland Museum of Art Members Magazine 55, no. 4 (July/August): 10-11.. Reproduced: p. 10; Mentioned: p. 11 The Burlington Magazine. "Exhibitions: Paintiing in the Modern Garden." The Burlington Magazine 158, no. 1357 (April 2016): 300-301. . Reproduced: p. 301 Adams, Henry. "The Invisible Man: William Robinson." CAN Journal (Spring 2017): 80-83.. Reproduced: p. 83 Amiot-Saulnier, Emmanuelle. "Le Jardin de Monet a Matisse." L'Estampille, l'objet d'art 521, (Mar. 2016): 28-35.. Reproduced: p. 30 Kelly, Simon. ""My Four Best Series": Monet's Panorama at the Hotel Biron." In Monet: the Late Years. Shackelford, George T. M., ed., 46-61. Fort Worth, Texas: Kimbell Art Museum; San Francisco: Fine Arts Museums of San Francisco, New Haven; London: Distributed by Yale University Press, 2019.. Reproduced: P. 48-49,50, 59 Shackelford, George T. M. Monet: the Late Years. Fort Worth, Texas: Kimbell Art Museum; San Francisco: Fine Arts Museums of San Francisco, New Haven; London: Distributed by Yale University Press, 2019.. Reproduced: P. 159 Arendsee, M., and M. Steinman-Arendsee. "Take the CAN disability aesthetics tour, at the Cleveland Museum of art." CAN Journal (Winter 2019/20): 76-87.. Mentioned: p. 81 Goldin, Marco. Il Giardino e la Luna: Arte dell'Ottocento dal Romanticismo all'Impressionismo. Milano: La nave di Teseo, 2021.. Reproduced: P. 508-509 Pagé, Suzanne, Angeline Scherf, and Marianne Mathieu. Claude Monet, Joan Mitchell. Paris: Fondation Louis Vuitton; [Paris]: Musée Marmottan Monet, Académie des beaux-arts; Vanves: Hazan, 2022.. Reproduced: Cat. no. 50 Kelly, Simon. "A Dialogue with Monet: Mitchell's Years in Vetheuil." In Monet/Mitchell: Painting the French Landscape, edited by Simon Kelly, 13-68. St. Louis, Missouri: Saint Louis Art Museum; Munich, Germany: Hirmer Verlag GmbH, 2023.. Mentioned: p. 27; reproduced: p. 31, fig. 12
Источник: Cleveland Museum of Art
Сведения о произведениях предоставляются музеями и могут обновляться. Энциклопедический контекст предоставляется Wikipedia и не заменяет музейную классификацию.



