Сумерки в пустыне

William T. Walters [1820-1894], Baltimore, MD, consigned to Samuel Putnam Avery for sale at Henry H. Leeds and Co. (Henry H. Leeds and Co., New York, NY, Feb. 12-13, 1864) (Samuel Putnam Avery [1822-1904], New York, NY) (Leeds and Minor at Old Dusseldorf Gallery, New York, NY, March 9, 1866, no. 174, sold to John Taylor Johnston) John Taylor Johnston [1820-1893], New York, NY (Chickering Hall, John Taylor Johnston sale, Dec. 19-22, 1876, sold to John Work Garrett?) John Work Garrett [1820-1884], Baltimore, MD, by descent to his daughter, Mary E. Garrett? Mary E. Garrett [1854-1909], Baltimore, MD, sold to Robert de Forest Robert de Forest [1848-1931], Parkers Point, CT, by descent to his brother, Lockwood de Forest Lockwood de Forest [1850–1932], Santa Barbara, CA, by descent to his son, Alfred Victor de Forest Alfred Victor de Forest [1888-1945], Marlborough, NH, by descent to his son, Taber de Forest Taber de Forest [1913–1978], Maine, sold to David Wilson McCoy David Wilson McCoy [1916–2011], Lyme, CT, sold to Robert Paul Weimann, Jr., Ansonia, CT Robert Paul Weimann, Jr. [1925–1978], Ansonia, CT, sold to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH

Источник: Cleveland Museum of Art

Year in Review: 1965. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 27-November 14, 1965). Frederic Edwin Church. Smithsonian Institution, Washington, DC (organizer) (co-organizer) (February 2-March 13, 1966); Albany Institute of History and Art, Albany, NY (March 30-April 30, 1966); M. Knoedler & Co., Inc. (June 1-30, 1966). Art of the United States: 1670-1966. Whitney Museum of American Art, New York, NY (organizer) (September 28-November 27, 1966). Wilderness. Corcoran Gallery of Art, Washington, DC (organizer) (co-organizer) (October 9-November 14, 1971). Heritage and Horizon: American Painting 1776 - 1976. Buffalo AKG Art Museum, Buffalo, NY (organizer) (March 7-April 11, 1976); The Detroit Institute of Arts, Detroit, MI (May 2-June 13, 1976); The Toledo Museum of Art, Toledo, OH (July 4-August 15, 1976); The Cleveland Museum of Art, Cleveland, OH (September 8-October 10, 1976). American Light: The Luminist Movement, 1850-1875. National Gallery of Art, Washington, DC (organizer) (co-organizer) (February 10-June 15, 1980). Visions of Landscape: East and West. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 17-March 21, 1982). A New World: Masterpieces of American Painting, 1760 - 1910. Museum of Fine Arts, Boston, Boston, MA (organizer) (co-organizer) (September 7-November 13, 1983); Corcoran Gallery of Art, Washington, DC (December 7, 1983-February 12, 1984). American Paradise: The World of the Hudson River School. The Metropolitan Museum of Art, New York, NY (organizer) (co-organizer) (October 4, 1987-January 3, 1988). Bilder Aus des Neuen Welt: Amerikanische Malerei des 18. und 19. Jahrhunderts (Paintings from the New World: American Paintings from the 18th and the 19th Century). Staatliche Museen zu Berlin, Nationalgalerie, Berlin, Germany (organizer) (November 17, 1988-February 12, 1989); Orangerie des Schlosses Charlottenburg, Berlin, Germany (November 17, 1988-February 12, 1989); Kunsthaus Zürich, CH-8024 Zürich, Switzerland (March 3-May 15, 1989). Frederic Edwin Church. National Gallery of Art (co-organizer) (October 8, 1989-January 28, 1990). Object Lessons: Cleveland Creates an Art Museum. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 7-September 8, 1991). America. The New World in 19th-century Painting America. Die Neue Welt in Bildern des 19. Jahrhunderts. Belvedere, Wien, Austria (organizer) (March 17-June 20, 1999). The American Sublime. Tate Britain, London (organizer) (February 20-May 19, 2002); Pennsylvania Academy of Fine Arts, Museum of American Art, Philadelphia, PA (June 17-August 25, 2002); Minneapolis Institute of Art, Minneapolis, MN (September 22-November 17, 2002). CMA Highlights. The Cleveland Museum of Art (organizer) (June 21-September 11, 2005). Maine Sublime: Frederic Church’s “Twilight in the Wilderness”. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 4, 2014-January 25, 2015).

Источник: Cleveland Museum of Art

New York Herald (June 8, 1860): 10. Lockwood de Forest, letter to Emily de Forest, Sept. 16, 1931, in CMA curatorial file. Franklin W. Kelly, letter to William S. Talbot, Oct. 21, 1982, in CMA curatorial file. "Art Exhibitions and Sales," The Nation 2 (March 15, 1866): 346. "Art Notes," The Round Table 3 (March 10, 1866): 151. "Art Exhibitions and Sales,” The Nation 2 (March 15, 1866): 346. Eleanor Harvey, email to Victoria Sears Goldman, April 8, 2013, in CMA curatorial file. Auction Sales,” New York Times (March 6, 1866): 6. “Art Notes,” The Round Table 3 (March 10, 1866): 151. Franklin W. Kelly, letter to William S. Talbot, May 5, 1982, in CMA curatorial file. Harold Kirker, letter to Sherman Lee, July 10, 1969, in CMA curatorial file. Emily de Forest, letter to Lockwood de Forest, Sept. 10, 1931, in CMA curatorial file. Sander, Kathleen Waters. Mary Elizabeth Garrett: Society and Philanthropy in the Gilded Age. Baltimore, Md: Johns Hopkins University Press, 2008. Marion de Forest, letter to James H. Dempsey, Jr., June 6, 1982, in CMA curatorial file. William S. Talbot, letter to Kevin Avery, Oct. 27, 1986, in CMA curatorial file. Taber de Forest, letter to William S. Talbot, Jan. 12, 1970, in CMA curatorial file. Harold Kirker, letter to William S. Talbot, Sept. 18, 1969, in CMA curatorial file. Coloquio Internacional de Historia del Arte Zacatecas, Zac. 1994, Gustavo Curiel, Renato González Mello, Juana Gutiérrez Haces, and Universidad Nacional Autónoma de México Instituto de Investigaciones Estéticas. Arte, Historia E Identidad En América : Visiones Comparativas : XVII Coloquio Internacional de Historia Del Arte. México: UNAM, Instituto de Investigaciones Estéticas, 1994.. Mantioned p. 255. Albany Institute of History and Art, Tammis Kane Groft, and Mary Alice Mackay. Albany Institute of History & Art : 200 Years of Collecting. 1st ed. New York, [Lanham, Md.]: Hudson Hills Press in association with Albany Institute of History and Art, 1998.. Mentioned p. 102. Stebbins, Theodore E., Jr. Rethinking American Art: Collectors, Critics, and the Changing Canon. (Boston: Godine, 2025).. Mentioned pp. 16 and 73. Barringer, Tim, "Anglo-American Sublime," Magazine Antiques 192 (November/December 2025).. Mentioned p. 114, 117; reproduced p. 117. Kornhauser, Elizabeth Mankin, T. J. Barringer, Dorothy Mahon, Christopher Riopelle, Shannon Vittoria, Metropolitan Museum of Art (New York, N.Y.), and National Gallery (Great Britain). Thomas Cole’s Journey : Atlantic Crossings. New York: The Metropolitan Museum of Art, 2018.. Mentioned and reproduced p. 239. Avery, Kevin J., and Elizabeth Jacks. Sanford R. Gifford in the Catskills. Edited by Kate Menconeri. Catskill, N.Y.: Thomas Cole National Historic Site, 2017.. Mentioned, p. 15; reproduced, p. 14. O’Keeffe, Georgia, Tate Modern (Gallery), Kunstforum Wien, and Art Gallery of Ontario. Georgia O’Keeffe. Edited by Tanya Barson. New York: Abrams, 2016.. Mentioned and reproduced, p. 11. Mitchell, Mark D., George Inness in Italy. Philadelphia, Pa.: Philadelphia Museum of Art, 2011.. Mentioned, p. 21; reproduced, p. 22. Howat, John K., Frederic Church. New Haven: Yale University Press, 2005.. Mentioned, pp. 99-10; reproduced, cover (detail), p. 99. Kusserow, Karl, Alan C. Braddock, Miranda Belarde-Lewis, Teddy Cruz, Rachael Ziady DeLue, Mark Dion, Fonna Forman, et al. Nature’s Nation: American Art and Environment. Princeton, NJ: Princeton University Art Museum, 2018.. Mentioned, p. 123. Mizue 820 (August 1973).. Reproduced, p. 39. "Must This Mansion Be Destroyed?," Life 60 (May 13, 1996).. Mentioned and reproduced p. 76. Judy Ledgerwood: Twilight in the Wilderness, exh. cat. (New York: Gray New York, 2025).. Mentioned p. 5. Johnson, Victoria. Glorious Country : How the Artist Frederic Church Brought the World to America and America to the World. (New York: Scribner, 2026).. Mentioned pp.155-57, 164, 166, 271, 308; reproduced color plate 8-9. "Mr. Church's Last Picture," New York Times (Jun. 7, 1860). The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.. Reproduced: p. 185 The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.. Reproduced: p. 185 Talbot, William S. “American Visions of Wilderness.” The Bulletin of the Cleveland Museum of Art 56, no. 4 (April 1969): 151–166.. Mentioned and reproduced: p. 159-163, figs. 9-11 National Endowment for the Arts, and Corcoran Gallery of Art. Wilderness. New York: Printed by Benson Litho; for sale by the Corcoran Gallery of Art, Washington, 1971.. Cat. No. 69 The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.. Reproduced: p. 229 New York, Metropolitan Museum of Art, American Paradise: The World of the Hudson River School, (4 October 1987 through 3 January 1988).. pp. 45, 251-4. Carr, Gerald. "Frederic Edwin Church and Mexico." In Arte, Historia e Identidad en America: Visiones Comparativas, edited by Gustavo Curiel. Mexico: Universidad Nacional Autonoma de Mexico, 1994.. Mentioned: p. 255 May, Sally Ruth. Knockouts: a pocket guide. Cleveland: Cleveland Museum of Art, 2001.. Reproduced: no. 48, p. 48 - 49 Keck, Michaela. Walking in the Wilderness: The Peripatetic Tradition in Nineteenth-Century American Literature and Painting. Heidelberg: Winter, 2006.. p. 160, fig. 3.28 Adams, Henry. What's American about American art?: a gallery tour in the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2008.. Reproduced: fig. 8, p. 11; p. 74 - 75 Cole, Mark, "Picture Perfect", Cleveland Museum of Art. Cleveland Art: The Cleveland Museum of Art Members Magazine. Vol. 48 no. 8, October 2008. Mentioned & reproduced: p. 9 Cole, Mark. "New Spaces in the Cleveland Museum of Art." American Art 24, no. 2 (Summer 2010). Mentioned: p. 16; Reproduced: p. 16 Mitchell, Mark DeSaussure, and George Inness. George Inness in Italy. Philadelphia, PA: Philadelphia Museum of Art, 2011.. 21. Reproduced: 22, fig. 7 Janson, H. W., Penelope J. E. Davies, and H. W. Janson. Janson's History of Art: The Western Tradition. Upper Saddle River, NJ: Prentice Hall, 2011.. Mentioned and reproduced: P. 834-835, fig. 24.10 Cleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014.. Mentioned and reproduced: P. 48; reproduced: P. 42-43 Cole, Mark. “Twilight in the Wilderness: A close look at an American masterpiece.” Cleveland Art: Cleveland Museum of Art Members Magazine 54, no. 4 (July/August 2014): 4-5.. Reproduced: Cover, p. 5; Mentioned: p. 4, 5 Raab, Jennifer. Frederic Church: The Art and Science of Detail. New Haven, CT : Yale University Press, 2015.. Mentioned and reproduced: P. 93, fig. 40 Sotheby's (Firm). American Paintings, Works on Paper and Sculpture: The Collection of A. Alfred Taubman, Volume Three. New York: Sotheby's, 2015.. Reproduced: P. 68 Avery, Kevin J. Sanford R. Gifford in the Catskills. Catskill, N.Y.: Thomas Cole National Historic Site, 2017.. Reproduced: p. 14, fig. 12 Fortenberry, Diane, ed. The Art Museum. London; New York: Phaidon Press, 2017.. Reproduced: P. 285, no. 4 Kornhauser, Elizabeth Mankin. "Cole's Legacy." In Thomas Cole's Journey: Atlantic Crossings. Elizabeth Mankin Kornhauserand T. J. Barringer. New York: The Metropolitan Museum of Art, 2018.. Reproduced: p. 239, fig. 141 Christie' New York. Post-War and Contemporary Art; Afternoon Session. May 15, 2018. . Reproduced: p. 134 Crosman, Christopher B. John Moore: After the Rain, October 24 - December 6, 2019. New York: Hirschl and Adler Modern, 2019.. Reproduced: P. 10 Green, Tyler. Emerson's Nature and the Artists: Idea As Landscape, Landscape As Idea. Munich: Prestel, 2021.. Reproduced: Frontispiece, P. 102, fig. 43; Mentioned: P. 102 Neely, Evan Robert. Political Economy, Race, and the Image of Nature in the United States, 1825-1878. New York: Routledge, 2024.. Mentioned and Reproduced: p. 98 Diaz, Eva. "Decolonizing Site: Place-scape and Land-sense." In Widening the Lens: Photography, Ecology, and the Contemporary Landscape, edited by Dan Leers, 37-48. Pittsburgh: Carnegie Museum of Art, 2024.. Reproduced: p. 37 Barringer, Tim. "Anglo-American Sublime." The Magazine Antiques 192, n. 6 (November/December 2025): 112-117.. Mentioned: p. 114 ; Mentioned and reproduced: p. 117 Johnson, Victoria. Glorious Country, How the Artist Frederic Church Brought the World to America and America to the World. New York: Scribner, 2026.. Mentioned: p. 154-57, 164-66, 271, 308; reproduced: color plate. Imhof, Michael. Die Malerei der Romantik: von Friedrich bis Turner. Petersberg, Deutschland: Michael Imhof Verlag, 2026.. Mentioned and reproduced: p. 806-809 Frederic Church: Global Artist, edited by T. J. Barringer, Elizabeth Mankin Kornhauser, and Jennifer Raab. New Haven, London: Yale University Press; in association with The Olana Partnership, 2026.. Mentioned: pp. 21, 105, 201, 203, 204-05, 207-09, 236; reproduced: pp. 200 (detail), 202. Aboudrar, Bruno Nassim. Occidentalismes: Peindre À L’Européenne Dans Le Monde: XVIe-XXe Siècle. Paris: Flammarion, 2026.. Reproduced: p. 165, fig. 117; Mentioned: p. 167

Источник: Cleveland Museum of Art